The influences of the image of women in the construction of text structure and Production of Aesthetics in Sherko Bekas's (Mlwanke = Bracelet) Divan

Ahmad Muhammad Rashid Mira, Emdad Abdulwahid Muhammad, Aryan Sdiq Aziz, Kanyaw Bakr Abdulla, Mawdud Jabar Abdulla

Abstract


This research, entitled (The Influence of Women's Images in the Construction of Text Structure and Aesthetic Production in Sherko Bekas's (Mlwamke) divan. It is an attempt to present the poet's poetic language and then identify the characteristics that characterize feminism and women's rebellion. In addition to presenting the poetic language, what is more important in the research is to show the image of women in the poet, in terms of revealing the dimensions related to the poetic texts in the book, following the descriptive analytical approach. The study is divided into two main parts. The second part is devoted to imagination, metaphor and aesthetics. as the constituent of the image of women in the diwan. The scientific aim of this research is to try to determine the image of women at the gender, social, religious and political levels and present its dimensions in a scientific manner, in addition to determining the levels of women's image, Because women have an active participation in the entire divan.


Keywords


Bracelet (Mlwanke), image of woman, poetic language, imagination, metaphor, aesthetics

Full Text:

PDF

References


Abdulla, K. B., & Abdulla, S. N. (2023). Woman in Kurdish Literature, Rangdan and Mlwanka's poem collections by Sherko Bekas an Example. Halabja University Journal, 8(1), 19-42.‏

Abdullah, Abbas Salih (2007): Feminism in Kurdish Poetry, Doctoral Thesis, Koya University, Iraq

Adler, Alfred (2008): Knowledge of Human Nature, and: Ali, Sido Dawood-Muhammad, Fark Rizgar. First edition, Renma Press, Sulaymaniyah, Iraq

Ali, S. T. (2020). Aesthetic Dimension in Sherko Bekas's Derbandi Papoola. Journal of the Garmian University, 7(2)., 118-135.‏

Al-Matouq, Ahmed Mohammed (2006): Al-Gha Al-Aliyah, Critical Studies in the Language of Poetry, 1st Edition, Arab Cultural Center, Beirut, Lebanon.

Amin Tavana (2007): The Blue Enamel, First Edition, Awer Center, Erbil, Iraq

Aziz, A. S., & Saeed, R. A. H. (2023). Linguistic Prejudice in Kurdish. Journal of Linguistics and Social Sciences, 1(1)., 15-19.‏

Bekas, Sherko (2007): Necklace, First Edition, Ranj Printing Press, Sulaymaniyah, Iraq

E, M. Lotman (2019): Analysis of the poetic text of the poetry structure, and: Jaff, Anwar Qadir, first edition, Ghazalnoos Center, Sulaymaniyah. , Iraq

Englishton, Terry (2003), After Construction, and: Hero, Salah Hassan, First Edition, Modern Institution, First Edition, Sulaymaniyah.

Gharib, B. S. H., & Ismael, S. A. (2019). Perception of the Mental Image through the Poetic Image. Halabja University Journal, 4(3)., 31-46.‏

Gharib, B. S. H., & Ismael, S. A. (2020). Conceptual Metaphors in Language. Garmian University Journal, 7(3)., 189-198.‏

Hussein, Himdad (2014): Literary Methods, First Edition, East Press, Erbil,Iraq

Hussein, J. A., (2008), Aesthetics of Kurdish Poetic Text-Iraqi Kurdistan (1950-1970), Sardam Publishing House, Sulaymaniyah, Iraq

Isa, H. S., (2009)The origin of artistic imagery in the poetry of Sherko Bekas, first edition, ,Sardam Publishing House, Sulaymaniyah, Iraq

Kurk, Yacob, (1989), Language in Modern Literature, T: Emmanuel, Leon Yusuf Aziz, Dar Al-Ma'mun, Baghdad.

Mahmoud, Fazil Majid (2007): Nature in goran poetry, first edition, modern printing press. Slemani.

Mawlud, Rezan Salih Mawlud (2009): The poetic imagination between classical and romantic Kurdish approaches in lower Kermanji, first edition, Shahab Press, Erbil.

Mehwi, M. A., & Aziz, A. S. (2018). Verbal Noun and Inflected Verb. International Journal of Kurdish Studies, 4(1)., 1-26.‏

Mira, A. M. R., & Abdulla, K. B. (2021). Poetic Image in" Salm's Poems. Journal of Garmian University, 8(1)., 1-11.‏

Mira, Ahmed (2020): Rebellion in Homeland, Politics and Religion in the Worldview of Sherko Bekas and Magat, First Edition, Central Dimension, Sulaymaniyah.

Moeen, Zazan Raza (2005): Means Surroundings (a pragmatic study), Master's Letter, College of Education, University of Salaheddine, Erbil.

Mohammad, M. D. A., & Mira, A. M. R. (2018). Sherko Bekas's rebellion poetic language in the volume of: Now a girl is my country. International Journal of Kurdish Studies, 4(2)., 531-558.‏

Mustafa, P. O., (2009) Meaning and Translation, 1st Edition, Rojhelat Printing House, Erbil.

Ramadan, Crepe, (2003): Seeds of Aesthetic Innovation in Ancient Arab Criticism, New Services Base Printing Establishment, Algeria.

Raouf, Luqman (2007): The Identity of Sherko Bekas' Poetry, First Edition, Karo Printing Press, Sulaymaniyah.

Raouf, Luqman (2011): The postmodern features of Sherko Bekas's poetry, the first edition, the building printing press.

Zahid, Zahir Ghazi (2006): Sha'ar Ibn Link Basri, Cologne, Germany.




DOI: http://dx.doi.org/10.24042/jwcs.v3i2.19723

Refbacks

  • There are currently no refbacks.


Copyright (c) 2023 Ahmad Muhammad Rashid Mira, Emdad Abdulwahid Muhammad, Aryan Sdiq Aziz, Kanyaw Bakr Abdulla, Mawdud Jabar Abdulla

Creative Commons License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.